![]() ![]() In other words, you really should not be hung up about using surround encoding plugins, you won't need them until you have TV delivery specs which specifically requires them and even then you generally only use them after you've already created an unencoded 5.1 mix.īTW, you still need a good, calibrated monitoring environment for decent TV work but smaller room sizes and no Dolby Approval means that TV mix rooms are cheaper to build and equip than Film mix rooms. For an LtRt mix (if required) AudioSuite plugins are usually used for speedy encoding from the original 5.1 mix. In all these cases, the 5.1 mix is usually created direct out from ProTools to the monitors, no encoding or decoding plugins used. Depending on the station, TV deliverables for 5.1 mixes are either individual wav files, a polywav or in Dolby E format. This is the most common usage of LtRt mixes today, as kind of backward compatible mix that still works well on a old analogue stereo TV. If a TV station broadcasts in both digital and analogue they will often specify a 5.1 mix for delivery along with an LtRt mix which they use for analogue stereo broadcast. You often see LtRt specified for TV deliverables. There is still a lot of requirement for matrixed mixes (Dolby Stereo, Dolby Prologic, etc), usually referred to as LtRt mixes. So maybe some of the plugins out there are okay for tv work, or pain old practice! I'm not sure whether Pro Logic II would actually work or not on a cinema decoder (probably, with certain limitations) but it's certainly not the primary method used to distribute a 5.1 theatrical mix. Although it is closely related to Dolby Stereo, which is an old cinema format still created as part of the print-mastering process and printed on the 35mm film but today is almost never used for primary playback. Pro Logic is a home (consumer) format rather than a format designed for theatrical release. Even a professional (5.1 equipped) music studio won't do, so with a home or project studio you really don't stand a chance. Mac OS 10.8.5: only Pro Tools 10.3.10 supported MultiRack v9.80.11.99 eMotion LV1 Live Mixer v9.14. The further you are away from the large theatrical mix stage, the further you're going to be from an acceptable translation. Pro Tools 10.3.10 supported) StudioRack 9.7.99.211. The major problem is one of translation, a 5.1 mix created in anything other than a mix stage specifically designed for the purpose will not sound the same when played back in a cinema. For digital cinema a DCP (Digital Cinema Package) is created which doesn't require any type of Dolby encoding, just straight wav files. The only difference between the two is that Pro Tools Intro users have less. There are two versions of the tour depending on what version of Pro Tools you are using. However, for theatrical release (35mm film) you need a Dolby Digital encoded Print-Master and this can only be created by a Dolby Approved mixing facility. Learn how to navigate key tools, use various track types, and get started creating music by watching these demo session video tours included in Pro Tools. You can create Dolby Digital encoded 5.1 mix, look at the plugins from Neyrinck. This is really a question for the Post & Surround forum.
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